Tragic Coleridge by Murray Chris Dr

Author:Murray, Chris, Dr
Language: eng
Format: epub
Publisher: Ashgate Publishing Ltd
Published: 2013-03-14T16:00:00+00:00

1 Quoted in PW, III.2, p. 1063.

2 Richard Cronin, ‘Joseph Cottle and West-Country Romanticism’, The Coleridge Bulletin, n.s., 28 (2006), 1–12 (p. 2).

3 CL, I, p. 356.

4 Ibid., pp. 624, 603, 653, 387.

5 Ibid., p. 412. The ‘one other Tragedy’ Coleridge alludes to is most likely to be Milton’s Samson Agonistes.

6 Romanticism: An Anthology, ed. by Duncan Wu, Blackwell Anthologies, 4th edn (Oxford: Blackwell Publishing, 2012), p. xxxviii.

7 Clifford Siskin, The Work of Writing: Literature and Social Change in Britain 1700–1830 (Baltimore: Johns Hopkins University Press, 1998), pp. 5–6.

8 John Clare: Selected Poetry and Prose, ed. by Mervyn and Raymond Williams (London: Methuen, 1986), p. 1.

9 LoL, I, pp. 250, 402, 201, 86, 222.

10 Ibid., p. 84.

11 Ibid., p. 325.

12 BL, II, p. 186.

13 Nicholas Reid, Coleridge, Form and Symbol: Or the Ascertaining Vision, Nineteenth Century Series (Farnham, Surrey: Ashgate, 2006), p. 32.

14 BL, II, pp. 11, 16.

15 Ibid., pp. 21–2.

16 Paradise Lost, p. 59.

17 Wolfgang Iser, The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett (Baltimore: Johns Hopkins University Press, 1974), p. 275.

18 Virgil, The Aeneid, trans. by Robert Fagles (London: Penguin Classics, 2006), p. 118.

19 Sally West, Coleridge and Shelley: Textual Engagement, The Nineteenth Century Series (Aldershot, Hampshire: Ashgate, 2007), p. 131.

20 Watchman, p. xxvii.

21 The Work of Writing, p. 4.

22 LoL, II, p. 27.

23 For example CL, I, pp. 171, 222, 227, 258; III, p. 97.

24 Kenneth Burke, The Philosophy of Literary Form, 2nd edn (Baton Rouge: Louisiana State University Press, 1967), pp. 28–9.

25 All quotations from ‘The Rime of the Ancyent Marinere’ in this chapter refer to the 1798 text; see PW, I.1, pp. 370–418.

26 Stephen Maxfield Parrish, ‘Dramatic Technique in the Lyrical Ballads’, PMLA, 7 (1959), 85–97 (p. 86).

27 Helen H. Bacon, ‘The Shield of Eteocles’, in Oxford Readings in Greek Tragedy, pp. 24–33 (p. 25).

28 Romantic Verse Narrative, p. 35.

29 The Letters of John Keats, I, p. 193.

30 CM, V, p. 252. Coleridge responds to Steffens’s claim that spontaneous human combustion is caused by alcoholism: ‘The recently accredited Cases of spontaneous Conflagration of Dram Drinkers do not amount to half a dozen.’

31 BL, II, p. 14.

32 M.H. Abrams, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Oxford: Oxford University Press, 1953), pp. 169–74.

33 Ibid., p. 174.

34 Thomas McFarland, Romanticism and the Forms of Ruin: Wordsworth, Coleridge and Modalities of Fragmentation (New Jersey: Princeton University Press, 1981), pp. 4–5, 10–11, 65.

35 Wolfgang Iser, Prospecting: From Reader Response to Literary Anthropology (Baltimore: Johns Hopkins University Press, 1989), p. 275.

36 Romanticism and the Forms of Ruin, p. 23.

37 The Philosophy of Literary Form, p. 39.

38 Romanticism and the Forms of Ruin, p. 14.

39 Marjorie Levinson, The Romantic Fragment Poem: A Critique of a Form (London: University of North Carolina Press, 1986).

40 Ibid., p. 83.

41 Ibid., pp. 87–9.

42 PW, I.1, p. 479.

43 Edinburgh Review, XVI (1816), p. 279.

44 Michael Bradshaw, ‘Reading as Flight: Fragment Poems from Shelley’s Notebooks’, in The Unfamiliar Shelley, ed. by Alan M. Weinberg and Timothy Webb, The Nineteenth Century Series (Farnham, Surrey: Ashgate Publishing Limited, 2009), pp.

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